I’m an artist and an art doula.

I’m based in the San Francisco Bay Area, and If you’re reading this, it’s probably because you met me in person and asked what my whole deal was.

Hi!

A black and white photo of Jessica Ferris

I work in liminal (and overlapping) spaces.

Another way to say this is:

I allow treasure to find me in one realm, and then I cross it over into another realm.

I also accompany others who are doing their own version of this work.

Scripted or choreographed live performance

Improvised live performance

Memoir

Lighting and set design

Crow and pigeon relationships

Metalsmithing

Fiber art (mostly when the fiber is human hair)

Mediums I’ve worked in

Relationship to magic circles

Relationship to dreams

Relationship to images

Relationship to archetypes

Relationship to myth and stories

Relationships BETWEEN plot structures

Relationship to rhythms

Relationships within and between literal animal bodies (including mine)

Relationship to sound

Relationship with specific lat/lon locations over time

Relationship to not knowing

Stuff that keeps being essential

I’m on the artistic board of Pinecones and Portals Hiking Theater Co.

We make theater, in nature, for kids and families. We also teach kids about playwriting and soon we’ll host fireside storytimes.

The future is going to require humans, young and old, to recognize the work of plot lines and archetypes in everyday life. It feels good to hold space for this.

I’m almost a couple of decades into co-hosting a new works reflection group.

Each member gets 20 minutes to be witnessed by the group. Members have used their turns to improvise performances, tell new scripted stories, muse on hunches or new ideas, talk about their day, or just not know what to say or do.

The group listens very closely to words, qualities of breath, somatic states, motifs, rhythms, images, and their own internal states while listening.

Then whose-ever turn it was requests the sort of feedback which would be useful (including none at all) and receives reflections from the group according to their request.

This work has helped me develop a deep relationship with not-knowing-as-a-grace, and it has taught me how to consciously listen on many channels at once. It has taught me how to sensitively articulate my experience of something just being born.

I participate in a Dream Circle.

Martha Crawford hosts it. The participants zoom in from all over the world, and we take turns sharing and reflecting on each other’s dreams. It is grounding like WHOAH, and absolutely lines up the tiny and the huge.

I make metal talismans

Mostly I’m motivated by dreams, gratitude for relationships (with specific crows, specific trees, and specific beaches) and the desire to let my hands work while my mind wanders. Also the desire to send objects a little way into the future.

Sometimes I’m motivated by the relationships between the different parts of my awareness. I make myself jewelry-as-mnemonics to help me remember mundane things, as well as to help me track when I’ve traveled in and out of modes of consciousness.

I make metal hair accessories.

I kept having dreams that it was time to pack up, it was time to migrate, and I had to decide on the most essential items to put in my one bag.

I also kept craving a gig which would allow me to

  • work flexible hours (so I could be available for other art-making)

  • silently

  • while offering something useful and beautiful

  • which I could produce even within the rhythms of capitalism.

This little business is a sweet spot, the overlap of all those desires and hunches. My most popular items are the headbands that come in your size and form to the exact shape of your particular head. When it’s time to pack up and migrate, you probably won’t even need to deliberate about putting it in your bag because it will already be on your body.

I study tarot

DANG but these images are useful!!

I learn about, and love, Felix the Crow

I’m pretty sure I met him when he was a baby. He comes for visits and lets me know when my dog is tryna sneak out into the wide world. Ask me about crows. Ask me about them.

Current practices and projects

Doula-ing works-in-progress for:

  • Devising dance theater / physical theater / circus theater companies

  • Writers working on memoir or memoir-hybrids

  • Writers working on intricately-branching stories with criss-crossing plots

  • Narrative sculpture / nature-based sculpture / immersive set design

  • The subaquatic cabaret accessible only via Susan Sontag’s airport shuttle during off-duty hours

  • The wild in-between thing I haven’t named but you have this hunch about

    References available upon request, natch.

    You should know that I will probably bring my dog with me. She is impossibly soft and has impossible separation anxiety. ¯\_(ツ)_/¯

Projects I’ve loved and would happily do more of

I think it’s gonna take a couple of decades to grow together and start to cohere.

I’m just naming that I can feel it growing. If you have gobs of money and want to commission me to make it exist in the world sooner, get in touch.

There’s this wild and pragmatic and intricate mobius strip thing growing in me, metaphorically speaking